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Response
Papers [RP]: Response papers will be a key part of your
written work in the class. You will be asked to write on nearly
everything
you will read this semester. On our schedule page under our daily
readings, you will find a question or a series of questions.
You will respond according to the following template, numbering
both sections:
1.
Summarize your general experience with the reading (How did
it make you feel? Did you agree or disagree with the argument?
Did it resonate with anything in your personal life? Was
it difficult or easy to read and why?). Feel free to use
an informal writing
style and use first person. [2-4 meaty but concise sentences]
2. Your response to the specific question or assignment regarding
the given text. Use a formal writing style and do your best
to avoid first person. [at least a paragraph—10-12
meaty but concise sentences]
I
encourage you to clearly date these entries, as I will
not be collecting them on a scheduled basis. I reserve
the right
to ask for a Response Paper by its date at any time
during the semester. Therefore, please keep these things
well
organized (note my suggestion of a 3 ring binder).
These mini-papers
must
follow the expectation guidelines for typed, written
work (see Expectations). The
Response Papers will be graded on the basis of your interaction
with the question—how much thought are you evidencing,
how sophisticated are you being? I will give you either a check
++, a check +, check, or check- based on your work. A check++
is very rare—it means that you have created a flawless
masterpiece. A check+ means that you are above average yet
not quite perfect. A check means that you are obviously engaged
with
the question and are doing an adequate job. A check- means
that you are slipping beneath the level of work I expect from
you.
Unacceptable work will receive a 0. At the end of the semester,
I will then translate your collection of checks into a point
total out of 100 (depending on the amount of Response Papers
collected this semester).
Essays
1, 2, & 3: Each of these essays will be
a 3-5 page paper focusing on a specific question directly
tied to our readings or discussions. These essays must
follow the expectation guidelines for written work and
conform to the general writing guidelines provided online.
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Research
Essay: The research essay is your most important
assignment. It is the primary testing ground for your writing
skills and is a critical means of accumulating points.
You will not be allowed to revise your research paper—if
you participate in our workshops and take advantage of
your conferences with me, you should not have to. The research
essay must also follow the expectation guidelines for written
work and conform to the general writing guidelines.
Take
Charge Assignment: In
a group, you will be assigning readings to the class as
well as will be responsible for leading discussions on
the topic.
Revision
Policy: Your first two primary assignments may
be revised within two weeks of being returned for additional
point consideration. Your total may be raised a maximum
of only one grade (from a C- to a B-). No late assignments
may be revised. Please understand that a revision is not
merely correcting spelling and grammar errors or adding
a few sentences—that is a waste of both our times.
To revise a paper is to begin from scratch, reassessing
the question to create a polished argument. Anyone interested
in revising an assignment must have a conference with me
in order for the revision to be accepted. All revisions
must also include the original, graded draft. Work that
I consider to be substandard will not be eligible for revisions
at my discretion—this is to prevent you from taking
advantage of my generosity for allowing revisions.
Quizzes:
I reserve the right to quiz you on your daily reading assignments.
The number of questions will vary for each day—sometimes
as few as 3 or 4 questions, sometimes as many as 10. Although
these quizzes may seem a small part of the class (five points
here, ten points there), they do add up and affect your grade
in the long run.
In-Class
Writing: In addition to quizzes, I also reserve
the right to ask you to perform a writing exercise on any
given day. These exercises will vary—sometimes they
will be as relaxed as freewriting on a theme or a question.
Sometimes they will require you to apply critical terms
to a specific textual instance. These assignments will
test your ability to think, process, and respond clearly
and effectively in an “on the spot” situation.
I may collect these at any time or ask you to hand them
in with other secondary or primary assignments.
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Mini
Essay due February 15th:
“The
way that college students negotiate their social,
economic and (often meager) political lives is
governed by their interaction with the media.
Whether they know it or not, the media has shaped—and
will continue to dominate—their lives.”
Agree
or disagree with the content, form, or assumptions
of the above statement. Clearly define the most important
terms for your argument while offering support for
your stance. If you need to use a dictionary, please
use the OED online (see the library databases).
Generate at least but no more than two pages.
Take
Charge Assignment due March 3rd:
After
our first paper, I will be asking you as a class
to generate recent texts for our discussion. You
will be assigned into groups of two or three and
asked to locate somewhere between three and four
sources for us to discuss for your given week. You
will also be responsible for helping with directing
discussions during that week. Your grade of 100 points
will involve all of these aspects. I also reserve
the right to allot different point amounts to different
members of the group.
1.
In a few phrases or sentences, clearly identify
the focus of the topic you’re working on.
It can be as broad as “Gender and the Media” or
as focused as “Representations of Women’s
Bodies in the Media” or even “Women
and Sexuality: How Sex in the City redefines
modern stereotypes of women.” [Hint: If
you’re working on something for another
class, thinking about your major, or considering
what to work on for your research paper, you
might be able to figure out a way to kill two
birds with one stone by making us work on it
as well.] Keep in mind that our focus will always
be on how the content is being delivered and
the assumptions behind the given argument. We
therefore spend less time on the details of the
issue and more time on the argumentative qualities
surrounding the representations—less time
on the content and more time on the form
2.
Provide me with some primary
texts. You must find a) at least two
print or online, quality
essays--not random fansites
or Wikipedia, but journalistic sources.
These should contain obvious
and debatable arguments.
Two excellent databases to check out
are Academic OneFile and LexisNexis Academic
Give me a copy, but ideally it should
be available
online,
so provide
me with the url; b) at least
one text that is not written media (podcasts,
films, TV shows,
documentaries). If you don’t
own it or it’s not
downloadable, make sure our
library has it by searching
DELCAT. I’m not buying
any new movies or PBS specials
for kicks (unless, they’re....you
know...good).
Here
are a few topics I’ve been playing
with as a warning of what I will be assigning:
Middle East
and America; 9/11 and the Media; Party
Politics and the State (think the media
frenzy already going on
over next year’s elections); Reality
TV vs Reality; The Dangers of Media Feeding
Frenzies; Infotainment as Protest; Education
Reform; Blurring
Lines: Docu-dramas that go too far; America
and Latin America; Health and Africa;
EU Politics and Foreign
Economies.

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Essay
1
For
this essay you have 3 questions to choose from. You must
turn to at least one of our readings for evidence,
as well as provide at least one additional, qualitative
source (qualitative as in a substantial essay
or selection from a book--something more than a dictionary
entry or Wikipedia article).
Note
that you do not have to answer every question within a
given cluster; the first prompt is the most important while
the following questions are there to help you get your
intellectual ball rolling. Remember to always go
beyond the confines of our class discussion in your own
paper. Please choose the best possible quotations to illustrate
and support your argument. Avoid first person to
the best of your ability.
1. Using
examples of form from our recent texts, generate
a rubric on the nature of argumentation. What
qualities do we find in a good argument and how do
we recognize them? Do your best to define the word “argument” in
your own words as your own argument dictates, and
then use evidence from some of our readings to illustrate
your definition. Notice that your definition need
not recognize any of these essays as “perfect” in
regards to argumentation, though that is one strategy
for dealing with this topic. Instead, consider using
examples that illustrate good or adequate qualities
of argumentation while suggesting techniques for
improvement.
A
few but by no means all the things you could consider
discussing in your rubric are issues like organization,
quality of evidence, techniques for presenting evidence,
transitions and connections within the argument, fallacies,
and clarity of language.
2. What
abilities must readers bring into play when confronting
journalistic pieces? What is the responsibility
of the audience in regards to understanding and interpreting
the media? Looking at the content and the form of
our recent texts, designate what sort of skills are
required by readers in the “information age” for
them to best digest the materials presented to them.
Some
of the ideas you might focus on are passive versus
active audiences, skepticism and the media, trusting
particular forms of media over others, reading skills
and the detection of fallacies, and textual verses
visual (or aural) processing.
3. What
is journalism’s relationship to objectivity
in the postmodern age? Is the ideal of journalistic
integrity a thing of the past, or has it ever existed?
Using evidence from our recent texts, locate what
role, if any, objectivity should play in the actions
and products of the media. Clearly define your most
important terms and delineate the scope of your discussion.
Some
of the issues you may consider touching in this paper
are the necessity of objectivity, the dangers of a
changing media, the need for both traditional and non-traditional
forms of journalism, the connections between satire
and objectivity, the benefits of subjective approaches,
and the responsibility of journalists to the state
and its citizens.
I’m
looking for three to five pages of double spaced text
in 12 point Times New Roman font. One
inch margins all the way around, please. Include
your name, my name, the class, and the date in the upper
left hand corner of the first page. Every following
page should have your last name and the page number in
the upper right hand corner. Remember to include
a Works Cited page at the very end (to practice
your MLA format as well as get in the habit of always
informing your reader of your sources).
Please
read through the MLA
Citation and Plagiarism page for Works Cited
page guidelines as well as a general discussion as to
how to avoid any accidental plagiarism. Also checkout
the online
edition of the Bedford Handbook for general citation
information as well as the sample
paper they provide.
You
should also look at the Writer's
Checklist on my Writing site. This
will give you clues as to how to go about putting the
paper together, what I expect from a good paper, and
what my pet peeves are about grading papers (i.e. how
to avoid upsetting me for no good reason).
Lastly,
inspect the descriptions I give of my own Grading
Standards, so that you know what I'm looking for when
I put grades on your papers.
This
Essay is due on Monday, March 10th. Good
luck!!!

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Essay
2
For
this essay you have two giant questions to choose from related
to the three topics we have looked at so far. You must turn
to at least one of our readings for evidence,
as well as provide at least one additional, qualitative
sources (qualitative as in a substantial essay or
selection from a book--something more than a dictionary entry
or Wikipedia article). For the forgetful or lazy, here is
a quick reminder of the topics we will have looked at:
International versus United States Media, Reality TV,
and Education Reform.
Remember
to always go beyond our class discussion in your own paper.
Please choose the best possible quotations to illustrate
and support your argument. Avoid first person to the
best of your ability.
Ideology
and American Culture
Central
to all of our topics is how the media interacts with American
culture: various forms of the media serve as a means to promulgate
specific ideological assumptions: the unquestioned and often
unconscious beliefs we hold about human nature, the structure
of the world and society, and even morals or systems of valuation.
Using
one of our topics, identify and then discuss the success
of specific ideological assumptions within the given topic.
How much influence does the media have over society’s
views of the given topic and how successful has it been in
promulgating the supposed “message”? Obviously,
you must clearly define that message (or messages) and then
decide if the given media clearly represents the issues at
hand. Is the media’s message always clear to us or
is it always ultimately muddled?
Reality
and the American Audience
In all of our topics, we have assumed that a highly permeable boundary exists
between reality and representation, between what is real and what is simulated
for a specific purpose. We seem to desire to know what is real, but so often
that reality is potentially frightening. This is why different groups represent
reality in different ways: why one country will look at an issue as a problem
and another as a solution, why entertainment shows will capitalize on "real"
people in the "real" world, and why standardized education (a supposedly
"universal" experience) could be real for some but not for others.
But
is this truly the case? Is there a reality, a referent,
a physical manifestation of truth we can be certain of,
or has postmodern culture completely replaced “reality” with
simulations? In what way can we ever be certain we perceive
the “real”? Or does our possession of reality
(instead of the simulation) even matter? Using one our
topics, examine the certainty of reality and its relationship
to the consumption of postmodern media.
I’m
looking for three to five pages of double spaced,
12 point Times New Roman font (as usual). One
inch margins all the way around, please. Include
your name, my name, the class, and the date in the upper
left hand corner of the first page. Every following
page should have your last name and the page number in
the upper right hand corner. Remember to include a Works
Cited page at the very end (to practice your MLA format
as well as get in the habit of always informing your reader
of your sources).
Please
read through the MLA
Citation and Plagiarism page for Works Cited
page guidelines as well as a general discussion as to how
to avoid any accidental plagiarism. Also checkout
the online
edition of the Bedford Handbook for general citation
information as well as a sample
paper.
You
should also look at the Writer's
Checklist on my Writing site. This
will give you clues as to how to go about putting the paper
together, what I expect from a good paper, and what my
pet peeves are about grading papers (i.e. how to avoid
upsetting me for no good reason).
Lastly,
checkout the descriptions I give of my own Grading
Standards, so that you know what I'm looking for when
I put grades on your papers.
This
Essay is due on Monday, April 14th. Good
luck!!!
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Breaking
News Research Paper: Investigating the Media
This
essay will be argumentative in nature and based on
a debatable issue that involves some aspect of the
media in popular culture. Focus your topic on
ideas, themes, or events that interest you. Then, examine
how this topic is presented in the media. Remember
that "the media" is a very broad term here;
don't limit your possibilities (that's my job). Your
purpose, as always, is to analyze how the media goes
about creating meaning (and convincing us of that meaning)
regarding your topic.
Your
thesis statement for this paper should consist of a persuasive
statement about the topic you have chosen. Remember
your thesis must be as focused as possible on a debatable
subject for which you supply evidence to prove your thesis. Remember
that you are not writing an encyclopedia article. You
must define a thesis and prove it through presented research.
Required
Length: 10-12 pages minimum.
Required
Primary Sources: Your primary source or
sources must be clearly identified by the scope of your
project.
Required
Secondary Sources: Minimum of 6—At least 2
books, at least 2 Scholarly Periodicals (scholarly rather
than popular). Books may take the place of Periodicals. Any
online sources (not including periodicals retrieved from
online databases) must be in excess of the 6 required sources
(unless your topic warrants an internet focus).
Required
Source Packet: As part of my never ending program
of cruelty, I am asking you to turn in with your paper
a photocopy of the pages from which you are citing or summarizing
text. In other words, you will photocopy the page
in the book, journal, magazine, or database where the quote
you use appears. The quote will be highlighted or
underlined and the page reference (the page the quote appears
in your paper) will be written in the top or lower right-hand
margin of the photocopy. These pages do not have
to be clean of all your other marks—as long as I can quickly
locate the quote you are using in your paper, I do not
care how messy they are.
Required
Steps:
1) You
will e-mail me your final
topic and 2-3 potential theses (so that I
may approve your focus) by 5 pm on
Sunday, April 20th (-10 points).
2) Bring
in a bibliography of at
least ten sources to class on Wednesday,
April 23rd (-15 points).
3)
E-mail me an annotated bibliography of
at least ten sources by 5pm on Friday,
April 25th. This is merely your
(perhaps changed) bibliography but this time
with a paragraph (5 to 10 meaty but concise
sentences) following each entry that summarizes
the argument of the source and makes it clear
how you intend to use (or attempt to use)
it (-20 points).
4) You
will bring a mini-draft of
your introduction and conclusion, along with
a topic sentence outline of your paper to
class on Monday, April 28th (-20
points).
5) Bring
a mini-draft & working outline of
your paper to class on Wednesday,
April 30th. This outline must include
a. a revised draft of your introduction and
conclusion along with b. the topic sentences
to your paragraphs, and c. your quotations. The
exact format of your outline is optional--organize
the outline in such a way that it works for
you. My only requirement is that your
quotes, introduction, and conclusion are
typed (the font and format are again your
choice). Be prepared to present your
organization strategy to the rest of the
class (-25 points)
6) There
will be a mandatory 15-minute conference on Friday,
May 2nd or Monday, May 5th at
which point you will present to me a. the
paper as it stands so far [should be very
close to done], b. a final draft of your
works cited page [including only the sources
you are using in yourpaper], and c. your
source packet. (-20 points)
7) The paper,
your outline, your source packet and
the annotated bibliography are
all due at the beginning of class on Wednesday,
May 7th.
Failure
to complete ALL of these steps on the aforementioned dates
means that points will be deducted from your final possible
total. Remember, there can be no “Rewrites” for the
research paper.

Essay
3
The
documentary Who
the #$&% is Jackson Pollock? embodies
the key cluster of ideas we have been looking at
this semester: evidence, authority, and economics.
It densely explores what is used to prove an argument,
who gets to make or be an expert in an argument,
and what is the value system that drives an argument.
Keeping these ideas in mind, please answer the
following question:
What
is this movie really about? Explain the film’s
argument, using the evidence of the film to
back up your viewpoint. Remember to protect
your assertion against potential counterarguments.
A
few possible but certainly not definitive topics
are the triumph of the human (or Teri’s)
spirit, the relevance of art or aesthetics,
the power of capitalism, the cultural construction
of authority, and the assumptions behind what
counts as evidence. Keep in mind key issues
such as tone, humor, evidence, trustworthiness,
and authority.
Also,
feel free to use any of the readings we look
at from the NYT to further elucidate the ideas
behind this quirky film.
Please
keep yourself to three to five pages of double
spaced, 12 point Times New Roman font. One
inch margins all the way around. Include
your name, my name, the class, and the date in
the upper left hand corner of the first
page. Every following page should have your
last name and the page number in the upper
right hand corner. Remember to include a Works
Cited page at the very end (to practice your
MLA format as well as get in the habit of always
informing your reader of your sources).
Please
read through the MLA
Citation and Plagiarism page for Works
Cited page guidelines as well as a general discussion
as to how to avoid any accidental plagiarism. Also
checkout the online
edition of the Bedford Handbook for general
citation information as well as a sample
paper.
You
should also look at the Writer's
Checklist on my Writing site. This
will give you clues as to how to go about putting
the paper together, what I expect from a good
paper, and what my pet peeves are about grading
papers (i.e. how to avoid upsetting me for no
good reason).
Lastly,
checkout the descriptions I give of my own Grading
Standards, so that you know what I'm looking
for when I put these grades on your papers.
A
physical copy of this essay is due in class
on
Wednesday,
May 21st
NO EXCEPTIONS.....

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