Fall 2008
MWF 8:05-8:55am Willard Hall 007

Instructor: Allan Carlsen
E-mail: acarlsen@udel.edu
Office Hours: By Appointment



TA: Kainoa Harbottle
Phone: 302 377-9648
E-mail: kharbot@udel.edu
Office Hours: By Appointment

 

 

Course Description

Requirements

First Paper
Assignment

Second Paper Assignment

Schedule

September
October
November
December

 

Course Description

Introducing the student to theater. Answering the following questions:

What is theater?
Why did it start and where?
How has theater evolved from it’s beginnings to the present?
How does theater fit into our lives, particularly from an audience point of view?
How does one understand and enjoy theater?
And finally, how is theater made today?

The course will also include insights into the professional world of theater acting, directing, and producing.

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Requirements

Texts:
Another Opening, Another Show
(2nd Edition), Tom Markus, Linda Sarver
The Seagull, Anton Chekhov--Trans. Stark Young

Performances:
You are required to see two live theatre performances.

The first will be the Resident Ensemble Players (REP) production of Brendan Behan’s, The Hostage, here at the University of Delaware in the Thompson Theatre. The Hostage runs from October 22 to November 8.

The second will be a PTTP production of Shakespeare’s, As You Like It, in the Hartshorn Theatre also here at the University of Delaware. As You Like It runs from November 20 through December 6.

Student’s cost per ticket is $8 and schedules and ticket arrangements will be discussed and handed out in class. In exchange for these requirements, there will be no class on Wednesday, November 26.

Papers:
There will be two written assignments and they should be not less than two and no more than three pages long and word-processed. Text must be double-spaced in 12 point Times New Roman.

The first paper will be due on Monday, November 10, and it will be your review of The Hostage. Play reviewing will be covered in class prior to attending the performance.

The second paper will be due on Friday, December 5, and the theme of this assignment will be discussed in class. Ticket stubs of the plays involved must be stapled to the upper left-hand corner of the papers.

Exams:
There will be three exams: Wednesday, October 1; Monday, November 3; and Wednesday, December 10.

Exams will not be cumulative and they will be true/false and multiple choice. The exams will be based on the lectures, the required texts, the performances, and other class material (see next sentence). Some days, we will have handouts, discussions, demonstrations, videos, and perhaps the asking for the volunteer or two. If you do not attend a class, you are responsible for getting the notes and other material from someone who was in class that day.

Attendance:
Mandatory. Student is allowed three absences to use at their discretion. These absences will allow for sickness, emergencies, and pre-planned, excused events. After using the three, any additional absence will lower grade point by 1/3.

PLEASE NOTE: When using the attendance sheet, anyone involved with falsifying any student’s signature will automatically receive an “F” for the course.

Lateness:
Late arrivals disrupt the class as late arrivals disrupt the performance in the theater. It is also inconsiderate to others who have arrived on time. Fill in every seat, starting from front to back. Three late arrivals equal one absence.

Classes will begin promptly with a brief performance piece involving extra credit.

Grading:

Exam 1 25%
Exam 2 25%
Exam 3 25%
Papers 10% each
Class Participation 5%

Added Benefits:
The earning of extra credit will be available to every student and will involve each day’s performance piece which will be discussed during the first class.

There will also be opportunities for students to perform a performance piece of their own for extra credit.

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III.  Schedule

Sept
3

Introduction, Syllabus, and Extra Credit

5

Chapter 1: What are Theatre & the 10 Traits of Theatre?

8

Chapter 2 Part A: Aristotle & the Three Unities of Theatre

10

Chapter 2 Part B: The Six Elements of Theatre

12

Chapter 3: Six Dramatic Genres of Theatre

15

Chapter 4: Theatrical Styles, Part I
17

Chapter 4: Theatrical Styles, Part II
19

Chapter 5: Writing About Theatre & The Seagull READING DEADLINE
22

Chapter 6: Playwrights
24

Video--The Seagull by Anton Chekhov Part I
26

Video--The Seagull by Anton Chekhov Part I

29

The Seagull and Review for Exam #1

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Oct
1

Exam #1

3

Chapter 7: Actors and Characters, Part I
6

Chapter 7: Actors and Characters, Part II
8

Chapter 8: Directors, Part I
10

Chapter 8: Directors, Part II
13

Chapter 9: Designers
15

Chapter 10: Putting a Production Together, Part I
17

Chapter 10: Putting a Production Together, Part II
20

Chapter 11: Getting Tickets
22

Chapter 12: Take Your Seats
24

Chapter 13: Spaces, Theatres, and Scenery, Part I
27

Chapter 13: Spaces, Theatres, and Scenery, Part II
29

Chapter 14: Backstage
31

Review Exam #2

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Nov
3
Exam #2
5

Chapter 15: Theatre History, Part I
7

Chapter 15: Theatre History, Part II
10

Chapter 15: Theatre History, Part III and First Paper Due
12

Magic According to Kainoa
14

Chapter 16: Early American Theater & Show Biz, Part I
17

Chapter 16: Show Biz, Part I
19

Chapter 17 Part A: How Did Musical Theatre Evolve?
21

Chapter 17 Part B: What is Musical Theatre?
24

Chapter 17 Part C: American Musical Theatre
26

No Class--Turkey Time!

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Dec
1

American Playwrights, Part I
3

American Playwrights, Part II
5

Discuss As You Like It and Second Paper Due
8

Review Exam #3
10

Exam #3

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